Tag: painting
‘Exhabiting that corricatore of a harss’: Anselm Kiefer and James Joyce
No one could accuse Anselm Kiefer of being a miniaturist. The White Cube in Bermondsey is a large space and it’s packed full with the huge displays of his new exhibition, a response to his long-time admiration for James Joyce’s unreadable masterwork, Finnegans wake. The Cube isn’t a cube at all, but an oblong. When […]
Prussian Blue
Like a teenager, C. has fallen hopelessly in love, with a visitor from the Continent. I didn’t see it coming. And the worst thing is that I’m not sure it’s a temporary infatuation that will soon pass. It’s taken a firm hold on her affections. Only time will tell whether everything will end in tears. […]
The Last Bard: loops of an invented tradition
By now the ‘invented tradition’ is itself a tradition. Since Eric Hobsbawm and Terence Ranger published their edited collection The invention of tradition in 1983, we’ve become familiar with the idea that rituals, histories and beliefs that seem age-old were actually recent fictions devised with specific purposes in mind. One of the chapters in The […]
The Black Flag
The Glynn Vivian Art Gallery is closed for ‘firewall’ fortnight, but when it reopens you could do worse than pay it a visit. There are several excellent temporary exhibitions, as well as some seldom-seen items from the permanent collection, including a small display of art on the theme of protest. Its centrepiece is a striking […]
One hill, two painters
Peter Wakelin’s book Refuge and renewal: migration and British art, written to accompany his exhibition of the same name – its run in MOMA Machynlleth was sadly curtailed by coronavirus – is a rich source of information about artists who fled to Britain to escape the Nazis. A name he mentions in passing on three […]
Lucian Freud and Celia Paul
Lucian Freud isn’t one of those big artists whose star quickly fades after death. To judge by a visit to the Royal Academy exhibition of his self-portraits (it finishes tomorrow), his work still attracts plenty of public interest. The paintings were arranged chronologically, so you could follow easily the track of Freud’s development, and how […]
The portraits of Kyffin Williams
This article is based on a talk given to The Arts Society: Brecknock in Theatr Brycheiniog, Brecon on 11 September 2018 to mark the centenary of Kyffin Williams’s birth. Introduction My starting point is a talk given by Peter Lord as the Kyffin Williams lecture for 2018 at Oriel Môn, entitled ‘The portraits of Kyffin […]
In Bruges, with Gerard David and friends
There are many good reasons for going to Brugge (why do we say Bruges, when it’s a mainly Flemish-speaking city?): the townscape and amazingly preserved buildings, the canals and windmills, the beer and chocolates, the football and the multilingualism. But for me a visit was a chance to renew my long friendship with Gerard David. […]
Men come together to make a man
I was wandering absently through the galleries of the Glynn Vivian the other day, trying, unsuccessfully, to remember what the Welsh word for ‘unflattering’ might be, when I stopped suddenly in front of a Japanese print. It was in one of the rooms devoted to the gallery’s founding collection, which once belonged to Richard Glynn […]
Catherine Blake’s vision
Of all the astonishing visual images William Blake created, between the mid-1770s and his death in 1827, one of the most intriguing is a small sepia wash drawing (244 x 211mm) on a sheet of paper now in the Tate Gallery. It’s usually known by the title A vision: the inspiration of the poet. Since […]
