Making an impression

April 1, 2022 6 Comments

In Aberystwyth last week I called in the School of Art to see an exhibition, arranged by Mary Lloyd Jones, and organised by Neil Holland and Phil Garratt, as a tribute to her husband, John Jones, who died last year aged 89.  Surprisingly, this is the first time he’s had a show to himself.  As a self-effacing man, and like many artists mainly known as teachers, encouragers and animateurs, he didn’t push his own work.  But it’s certainly worth seeing and enjoying, for its great variety and accomplishment.

John Jones, Aberarth (linocut)

The works are on a small scale. Many are based on what happens when paper’s pressed against ink laid on a prepared surface.  But a ‘print’ can be made in many ways, and John Jones took obvious delight in ringing the changes on different techniques.  In the show are examples of linocuts, etchings, aquatints and screen prints.  John had long mastered the technics of all of them (some of his tools are on display in a case).  He was working in a long tradition of print-making in Wales – think of the artists who contributed to the inter-war Gregynog Press books – and in turn helped to stimulate the contemporary interest in printmaking in Wales, especially in mid-Wales, where Aberystwyth Printmakers are active through the work of Ian Phillips, Ruth Jên, Stuart Evans, Paul Croft, Karen Pearce and others.

John Jones, Nant Gwrtheyrn (watercolour, ink, charcoal)

Could it be that keeping faith with the kind of craft-based and skill-centred art practised by John Jones is one of the secrets of Aberystwyth School of Art’s success?  Bob Meyrick, its head, tells me that student applications are buoyant, history of art has been revived, and in general the School is in good shape.  On the Saturday I was there the building was bustling with activity.

John Jones, Lady Lewis Pit, Ynyshir, Rhondda (drawing)

It’s not all prints in the exhibition.  There are also drawings, watercolours, screen prints, works in crayon, charcoal and ink, and a complex panel in wax and dye incorporating lettering.  And there are some tightly-made constructions, using rope, nails, wood, cork and other materials.  You get a sense of the playfulness and ingenuity that went into the making of them – and a sense that they were often made with the benefit of others, students and learners, in mind.  Some of John’s students have expressed their gratitude for his encouragement of young people in the visitors’ book: one writer says her daughter became a curator, inspired by John’s role in the National Woollen Museum, Drefach Felindre.  There must be dozens of other beneficiaries of his teaching and encouragement, from Aberaeron School and the other places in which he taught.

John Jones, Construction

Apart from his versatility of technique and style, what strikes you about the pictorial works in the exhibition is John Jones’s loyalty to specific landscapes and what they meant to him.  He was born in Ynys-hir, Rhondda, and the village left its mark in an early drawing, made when he was a student at Cardiff College of Art in the early 1950s.  Later, other places clearly stamped themselves on his imagination: Aberarth, Nant Gwrtheyrn, Parys Mountain and Menhir des Droits in Brittany.  The different characters of all of these locations emerge strongly from the drawings, prints and their divergent styles.

John Jones, Inscription (wooden panel, wax, dyes)

The same intense concentration on special place is carried over into another exhibition in the School of Art, a PhD show by Carmen Mills.  It stems from her residencies with the Royal Commission on the Ancient and Historical Monuments of Wales on Ynys Enlli in 2018 and 2019.  In her drawings and constructions she echoes the resonances of the archaeological remnants of the island’s monastic past, where the material and non-material worlds are separated, as she says, by ‘the thinnest of membranes’, and asks us to excavate her works as evocations of the passage of long time.

Carmen Mills, Jacob’s ladder

John Jones (1932-2021) and Carmen Mills’s Jacob’s Ladder are both on at the School of Art, Aberystwyth University until 29 April.

Comments (6)

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  1. Gillian Lewis says:

    I had the privilege of being taught by Mary Lloyd Jones in my first year …thanks for this week’s article..

  2. Eifion Evans says:

    To Mary,

    Unfortunately only came acroos this website today so missed the exhibition, would have loved to see it.

    I had the pleasure of being taught by John in my first year in Aberaeron School way back in 1965 – I still have and treasure three items I made under his tutelage.
    It was a time when many teachers still wore their gowns when teaching but John was different with his impressive long beard and sandals. I still remember him fondly, such a nice guy, RIP Mr Jones.

    • Edmund Jones says:

      Hi Eifion, I was taught by John as well. He was John Potts to our class. He taught me well as my life has been in art ever since. I spent breaktime in his room as he was so gentl, different from the other teachers as you say

  3. Alana Sayers says:

    Hi, I am trying to make contact with Mary Lloyd Jones. Her husband John Jones taught me Art at Aberaeron County School during the sixties. He was a really lovely person always positive and very encouraging.

    If anyone knows how I could contact Mary please advise

    Many thanks
    Alana Sayers

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