Tag: landscape painting
Stanley Spencer at Llanfrothen
1938 was a difficult year for Stanley Spencer. His marriage to his wife Hilda Carline had been in trouble for years. Divorce followed in 1937, though the two never lost contact. His relationship with the artist Patricia Preece, whom he’d met in 1929, had been close and obsessive – he commemorated it in several nude […]
Late style and Glenys Cour
To mark Glenys Cour’s hundredth birthday the Mission Gallery is currently showing around thirty of her paintings, some oil on canvas, others oil on paper. Most were painted in the last five years, so it’s a very different exhibition from the big retrospective in the Glynn Vivian in 2017, which looked back at over sixty […]
Glenys Cour: can mlynedd o liw
Ar 6 Ionawr 2024 ymgasglodd cryn nifer o gyfeillion a chyd-artistiaid yn ei thŷ yn y Mwmbwls i ddathlu pen-blwydd Glenys Cour yn 100 mlwydd oed. Eisteddai Glenys yn ei chadair arferol yn y lolfa, gyda’i golygfa wych dros Fae Abertawe, wrth i gyfeillion ddod ati fesul un, plygu drosodd neu benlinio, a dymuno’n dda […]
Late style: Edgar Degas looks at a flax field
In 1892 Edgar Degas was around 58 years old. Not old, certainly by our standards, and he had twenty years and more left to live. But the landscapes he painted in the 1890s tend to get called ‘late paintings’, with good reason. Degas was a Parisian, an urban painter, and the works of his youth […]
Thomas Jones’s ‘A wall in Naples’
This week Patrick McGuinness reminded his Twitter followers of a two-part poem he published in his 2004 collection The Canals of Mars, called ‘Two paintings by Thomas Jones’. The first part, ‘A wall in Naples’, goes like this: I look and look until the nothing that I seeperfects itself. I perfect its lack of interest,as […]
Cefn Bryn and the painters
Looking out of the window of my lockdown attic, I’ve a south-west view of south Gower. If I stretch my neck I can see the eastern end of the ridge of Cefn Bryn, the long sandstone backbone of the peninsula. All through the bright days of April the sun has set, often spectacularly, on one […]
One hill, two painters
Peter Wakelin’s book Refuge and renewal: migration and British art, written to accompany his exhibition of the same name – its run in MOMA Machynlleth was sadly curtailed by coronavirus – is a rich source of information about artists who fled to Britain to escape the Nazis. A name he mentions in passing on three […]
Richard Wilson on Cadair Idris
Last week I made my annual pilgrimage to Cadair Idris, which my father-in-law introduced me to as the best mountain walk in Wales, sometime in the late 1970s or early 1980s. As usual I started from Minffordd. After reaching Llyn Cau I circled clockwise round Craig Cau, Pen-y-gadair and Mynydd Moel. Early cloud lifted from […]
Mary Lloyd Jones
Mary Lloyd Jones has been exhibiting her paintings since the 1960s. She’s a consistent and prolific artist, and it can seem hard to find new things to say about her work – especially since she’s written and spoken often about it herself (many others have too, including Ann Price-Owen, Ceridwen Lloyd Morgan and Iwan Bala). […]
Glenys
There’s only one person in Swansea known by everyone as ‘Glenys’. And there couldn’t be a more popular or fitting choice for the Glynn Vivian’s first big exhibition after its five-year sleep than a retrospective of the works of Glenys Cour, born in 1924 and still painting daily at the age of 92. What’s more, […]
