art
Van Gogh up close
The National Gallery is celebrating its 200th birthday with a very special exhibition. Surprisingly, it’s the first show it’s every mounted devoted to the paintings of Vincent Van Gogh. To be able to look at them intently and quietly, in the privileged conditions of a private view, is quite an experience. The exhibition is special […]
Blodau a breuddwydion
Cysur mawr, yn y cyfnod hwn o boen a galar, yw ymweld â Glenys yn ei thŷ yn y Mwmbwls â’i olwg digymar dros Fae Abertawe. Dyma ni’n dau’n cerdded lawr ’na amser coffi. Rownd bloc y teras, tu heibio i’r lotments yn haul y bore, trwy’r ardd gyda’i choeden palmwydd a’i cherflyn metal ar […]
Burying Lucy
Most visitors to Syracuse stick to Ortygia, the tear-shaped island that was the original site of the Greek colony, and Neapolis, with its large Greek theatre and sculptured caves. The Basilica di Santa Lucia is slightly off the beaten track, and few visitors were there last week. When you’ve been used to the elaborate Baroque […]
Three solitary figures in a landscape
1 Man on a mountain Caspar David Friedrich painted the work usually called The wanderer above the sea of fog in 1818. Though it found little fame at the time, it’s long been seen as the quintessence of German Romanticism in the visual arts. Friedrich was the mountain man of the early nineteenth century. Until […]
Miss La La at the Cirque Fernando
One of my favourite paintings by Edgar Degas is Miss La La at the Cirque Fernando. As well as being one of his boldest – it’s probably one of the most audacious compositions ever painted in the nineteenth century – it has the great advantage of being easily seeable, since it’s usually on display in […]
Saving the gannets
The jaunty oil sketch may look charming, but it conceals an ugly story. It was painted by a well-known Cardiff artist, Thomas Henry Thomas, after a visit he and three friends from the Cardiff Naturalists’ Society made to Grassholm (Gwales) on 26 May 1890. They’d come to study the bird colonies, especially northern gannets and […]
Still life, still alive
‘Still life’ is a paradox. Can something that’s still or unmoving be alive, especially if it’s a dead creature or an inanimate object? The French equivalent, nature morte, is equally stark in its self-contradiction. But the term isn’t the only paradox. One of the reasons why the still life has had such a long history, […]
Delweddu pont: Pontypridd a’r artistiaid
Mae llawer o sôn yn yr Eisteddfod Genedlaethol, a gynhelir yng nghanol Pontypridd ym Mharc Ynysangharad, am ‘bontio’ rhwng siaradwyr Cymraeg a’r mwyafrif o’r trigolion lleol sy ddim yn medru’r iaith. Perthnasol iawn yw’r metaffor, o gofio bod Pontypridd yn cynnig esiampl wych o adeilad sydd wrth ei wraidd. Dyw’r gair ‘gwych’ ddim, mewn gwirionedd, […]
Cornelius Varley again
I’ve been revisiting the miraculous drawings made by Cornelius Varley when he spent time in Dolgellau in the summer of 1803. The end of the eighteenth and beginning of the nineteenth century was an age of wonder for watercolour painting in Britain, but I think it’s a shame that Varley’s name isn’t celebrated as widely […]
Gweledigaeth mewn 4,525 o ddarnau
Yr wythnos ddiwethaf cawson ni’r anrhydedd o gyfarfod ag un o drysorau mawr Cymru. Enw traddodiadol y campwaith hwn yw Cwilt Teiliwr Wrecsam – er nad yw’n gwilt yn dechnegol, ond clytwaith, ac er bod y geiriau ‘teiliwr Wrecsam’ yn tueddu i guddio enw ei wneuthurwr, James Williams, 8 College Street yn y dref honno. […]